mondstruken

26 April 2026

7pm

Ian Hanger Recital Hall, Queensland Conservatorium

Humans have always had an infatuation with the mystical nature of the moon. Throughout time, we’ve always thought that the moon possesses us beyond our comprehension and this concert aims to unpack this through Schonberg’s Pierrot Lunaire a selection of songs. Together, the complexity of our relationship with the moon and night reveals insights on what exactly captivates our fascination here – come along to find out!

swan songs

26 June 2026

12.30-1.30pm

Saint Andrews Uniting Church, Brisbane

Swan Songs takes its audience on a journey through the evolution of French music, opening in the Romantic period with Franck’s Violin Sonata in A major, through to Impressionistic chamber works by Debussy and his contemporaries, Ravel, Satie, and Tailleferre. Through music and complimentary poetry, Swan Songs explores the ephemeral nature of auditory experience. The programme culminates with Debussy’s Sonata for Violin and Piano— his parting gift to the world before his death. 

The French Palette

6 April 2026

12.30pm

Ian Hanger Recital Hall, Queensland Conservatorium

A series of collaborative works, featuring the musical palette of influential French Composers.

seasapes

11 September 2026

7pm

As the world gets more saturated, we find ourselves relying on the power of the natural world to maintain an equilibrium. Seascapes is an exploration of this sublime beauty with woodwind instruments, from an exploration of English neo-impressionism in the music of Ruth Gipps and Jonathan Dove to more creative messages about our current global climate from composer Matthew Burtner.

rhetoric of sound

24 May 2025

7.30pm

The Paint Factory, Yeronga

27th May 2025

7pm

Saint Andrews Uniting Church

At its crux, language determines a lot of how we process ideas, emotions, and values and beliefs. Music is a medium that allows us to experience and think about these things more deeply, and through this concert program, we unpacks how music exposes these constrictions and invites audiences to contemplate the power of these rhetorical boundaries.